Article Titles

Snapshots of a Literary Friendship: Francisco Arcellana and Jose Garcia Villa*

Jonathan Chua

Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English

R. K. Shangeetha, Shanthini Pillai

Southern Capital, Stone City, Golden Tombs

Josh Stenberg

Spanish Girl by Juan Luna

Juan Luna

Specimens: The Early Abstraction by Ivi Avellana-Cosio

Ivi Avellana Cosio

Sumi Jo: The Divine Diva, Sumi Jo (soprano), Najib Ismail (piano), Antonio Maigue (flute)

Jonathan Arevalo Coo

Sumi Jo: The Woman behind the Voice from Above

Allan Pastrana


Marc Gaba

Suspicious of the Filipino Social Virtue of Fortitude

Monica Jalandoni Nalupta

Tak Satupun / (Not One Less)

Jason K. Dy, S.J.

Tao/Lipunan, Moral/Imoral: 27 Macario Pineda at Reinhold Niebuhr

Jose Mario C. Francisco, S.J.

Tatlong Kuwento ni Lola Basyang, Choreographed by Osias Barroso, Lisa Macuja-Elizalde, and Tony Fabella, Based on stories written by Severino Reyes

Maria Gabriela P. Martin

The “King” and I: Lucrecia Kasilag’s Influence in Piano Literature

Jonathan Arevalo Coo

The 2nd Philippine Kana Art Competition

Karl Ian Cheng Chua

The Ateneo Art Gallery

Jonathan O. Chua

The Beauty of Ghosts: Five Voices by Luis H. Francia

Francis C. Sollano

The Church by Roawie L. Quimba, Teresita M. Francisco, and Amelia M. Sagaral

Javier Luis Gomez

The Diplomat-Scholar

Nikki B. Carsi Cruz

The Eastern and Western “Scriptures” for Postmodernity: toward a Unified Ethos in Religion, Science, and Philosophy

T. J. Abraham

The Epic Theatre as “Dialectic (at-Play)”: Badiou, Brecht and the Dubious Mask of the Storyteller

Brian Desmond

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