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Franz Joel Libo-on

Poems from "Post-Something"

Eliza Victoria

Poems from “What Comes After”

Zeny May Dy Recidoro

Poems of an Internet Trawler

Mookie Katigbak-Lacuesta

Poems: "2.5" and "Pasaway"

Pepito Go-Oco

Poems: "Gallery [Jan van Eyke, The Arnolfini Portrait, 1434]", "Apparition"

Ruth Elynia S. Mabanglo

Poems: "Journey to My Soul" / "Paglalakbay sa Aking Kaluluwa", and "At Every Moment" / "Sa Bawat Sandali"

Francis C. Macansantos

Poems: "Lingua Franca", "My Aunt's Garden", and "Windows"

Allan Popa

Poems: "The Marvelous Bullet Catch", "The Black Art", "Tether", "Peepshow"

Danton Remoto


Rolando B. Tolentino

Popular as Political Culture: The Fatherland, Nationalist Films, and Modernity in South Korea, Taiwan, and the Philippines

Peera Songkünnatham


Wen Guo

Positronic Brain vs. Human Brain: Robots' Brain Text as the Representation of Ethical Guiding Principles in Isaac Asimov's The Complete Robot

Ronald Stewart

Post 3-11 Japanese Political Cartooning with a Satirical Bite: Non-Newspaper Cartoons and Their Potential

T. Ruanni F. Tupas

Postcolonial English Language Politics Today: Reading Ramanathan’s "The English-Vernacular Divide"

Ryan Ku

Postcolonial Pharmakon: Traumatic Transmission in Tony Perez’s Cubao-Kalaw Kalaw-Cubao

Rommel A. Curaming

Postcolonial Studies and Pantayong Pananaw in Philippine Historiography: A Critical Engagement

Vaidehi Ramanathan

Poverty, TESOL’s Narratives and “Other Languages”: Hermeneutic Tensions in Texting-Researching Practices

Joel David

Primates in Paradise: Critical Possibilities of the Milieu Movie

Yanyan Jia, Houliang Chen

Problematizing the Validity of Neuroethics and Moral Treatment: Brain Text as a New Humanistic Approach to Moral Education

Charlie Samuya Veric

Prologue: Pasts and Futures of E. San Juan, Jr.

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