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Heather Acott

Dark Humor: Satire, the Baroque, and the Carnivalesque in Patricia Schonstein’s Banquet at Brabazan and Ingrid Winterbach’s The Elusive Moth

Francezca Kwe

Days of Rain

Wai Chew Sim, Chuah Guat Eng

Days of Yore, Days of Change

Cyril Belvis

Death, Event, and a Deconstruction of Gihapon in "Flores ni Maria Santisima"

Jan Kevin Rivera

Deaths in Distance

Jeffrey Arellano Cabusao

Decolonizing Knowledges: Asian American Studies, Carlos Bulosan, and Insurgent Filipino Diasporic Imagination

Sangkyu Lee

Deepening Conditions of Precarity in the Korean Game Industry and Collaborative Strategies to Overcome Constraints

Regine Cabato

Deliverance and Other Poems

Gary Anderson, Lena Simic

Democracy is Not Possible Here: A Private Argument in Public

Behnam Fomeshi

Democratic Poetics: A Comparative Study of the US and Iran

Allan Popa

Deposition of the Cross and Other Poems

Wilfredo Pascual

Devotion II

Pamela L. Caughie

Disciplining the Times and Spaces of Modernism

Jillian Joyce Ong Tan

Discursive Formations and the Ambivalent Nation in Gina Apostol's "The Revolution According to Raymundo Mata"

Rina Garcia Chua

Dismantling Disaster, Death, and Survival in Ecopoetry

Malcolm Miles

Disobedient Cultures: Art, Politics, and Resurgent Hope

Niyi Akingbe

Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin

Niyi Akingbe

Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin

Sean A. Pager

Does Copyright Help or Harm Cultural Diversity in the Digital Age?

Patricia B. Licuanan

Doreen Fernandez


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