Global Aestheticscapes: Re-imag(in)ing the Global Experiences of Selected Filipino Artists Through Their Installation Artworks

Clod Marlan Krister V. Yambao

doi:http://doi.org/

Young-hyun Lee

Food Transformation Technology in Paolo Bacigalupi’s The Windup Girl and What It Means for Us

Brian Morgan

Fostering Conceptual Roles for Change: Identity and Agency in ESEA Teacher Preparation

Ma. Teresa Wright

Fragile Arena: The Struggle Between Protest and Confinement in Three Sugilanon

Zoltan Kacsuk

From “Game-like Realism” to the “Imagination-oriented Aesthetic”: Reconsidering Bourdieu’s Contribution to Fan Studies in the Light of Japanese Manga and Otaku Theory

Isti Haryati

From Bertolt Brecht to Nano Riantiarno: Corruption in The Threepenny Opera and Opera Ikan Asin

E. San Juan, Jr.

From Leonardo to Picasso (1939–1953): The Masters Who Marked War and Peace in Milan

Ingyu Oh

From Localization to Glocalization: Contriving Korean Pop Culture to Meet Glocal Demands

Carlos V. Reyes

From Nostalgia to Nirvana: A Buddhist Epistemological Approach to Diasporic Literary Forms

Holger Schwetter

From Record Contract to Artrepreneur? Musicians’ Self-Management and the Changing Illusio in the Music Market

Maria Chona S. Lin

From Research to Practice: Considering Context and the Teacher as Theorist

Jonathan Beller

From Social Realism to the Specter of Abstraction: Conceptualizing the Visual Practices of H. R. Ocampo

Tito Imanda

From Stage to Screen: Early Filmmaking of Indigenous Performers in Highland Central Java

Norberto V. Casabal

Gay Language: Defying the Structural Limits of English Language in the Philippines

Maria Luisa Torres Reyes

Gendering Genre in Korean Films with Filipino Women Characters

Martin Bayer

German Art About War Today and a Century Ago: A Curator’s View

Patrick Campos

Ghostly Allegories: Haunting as Constitution of Philippine (Trans) National (Cinema) History

Clod Marlan Krister V. Yambao

Search “”

Title (553)

Author (0)

Issue (0)

Food Transformation Technology in Paolo Bacigalupi’s The Windup Girl and What It Means for Us

Fostering Conceptual Roles for Change: Identity and Agency in ESEA Teacher Preparation

Fragile Arena: The Struggle Between Protest and Confinement in Three Sugilanon

From “Game-like Realism” to the “Imagination-oriented Aesthetic”: Reconsidering Bourdieu’s Contribution to Fan Studies in the Light of Japanese Manga and Otaku Theory

From Bertolt Brecht to Nano Riantiarno: Corruption in The Threepenny Opera and Opera Ikan Asin

From Birmingham to Angkor Wat: Demarcations of Contemporary Cultural Studies

From Healing to Hope: The Continuing Influence of the Chilean Arpilleras

From Hostesses to Working Girls: Sex Workers in Late 1970s Philippine Cinema

From Leonardo to Picasso (1939–1953): The Masters Who Marked War and Peace in Milan

From Localization to Glocalization: Contriving Korean Pop Culture to Meet Glocal Demands

From Nostalgia to Nirvana: A Buddhist Epistemological Approach to Diasporic Literary Forms

From Record Contract to Artrepreneur? Musicians’ Self-Management and the Changing Illusio in the Music Market

From Research to Practice: Considering Context and the Teacher as Theorist

From Social Realism to the Specter of Abstraction: Conceptualizing the Visual Practices of H. R. Ocampo

From Stage to Screen: Early Filmmaking of Indigenous Performers in Highland Central Java

Gay Language: Defying the Structural Limits of English Language in the Philippines

Gendering Genre in Korean Films with Filipino Women Characters

German Art About War Today and a Century Ago: A Curator’s View

Ghostly Allegories: Haunting as Constitution of Philippine (Trans) National (Cinema) History

Global Aestheticscapes: Re-imag(in)ing the Global Experiences of Selected Filipino Artists Through Their Installation Artworks

Journal

Contact Us