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Young-hyun Lee

Corporeality, Genetic Technology, and Climate Change in Margaret Atwood’s The Year of the Flood

Alona Jumaquio-Ardales, Nathaniel Oco

COVID-19: Kritikal na Pagsusuri ng Diskurso ng Kagawaran ng Kalusugan sa Unang Yugto ng Pandemya sa Pilipinas

Maria Luisa Torres Reyes

Critical Crossings: Hybridity’s Fissures and Ruptures

Isaac Donoso

Crónica de Filipinas en la Poesía de Zoilo Hilario

Adam Lifshey

Cry for Me, Argentina! Taiwanese Soap Opera Diplomacy in Latin America

Yang Ke

Cultural Capital and the Tale of Two Lu Xuns

Niamh Malone

Culture as Contradiction in Urban Regeneration: Sanitization, Commodification and Critical Resistance in Liverpool One

Hope Sabanpan-Yu

Culture on Trial: Translating Gremer Chan Reyes' Men at Sea

Simon Ellis, Rowan McLelland, Rosemary Kostic Cisneros

Dance after Lockdown: Living With Paradox

Theodore S. Gonzalves

Dancing Into Oblivion: The Pilipino Cultural Night and the Narration of Contemporary Filipina/o America

Heather Acott

Dark Humor: Satire, the Baroque, and the Carnivalesque in Patricia Schonstein’s Banquet at Brabazan and Ingrid Winterbach’s The Elusive Moth

Cyril Belvis

Death, Event, and a Deconstruction of Gihapon in "Flores ni Maria Santisima"

Jeffrey Arellano Cabusao

Decolonizing Knowledges: Asian American Studies, Carlos Bulosan, and Insurgent Filipino Diasporic Imagination

Sangkyu Lee

Deepening Conditions of Precarity in the Korean Game Industry and Collaborative Strategies to Overcome Constraints

Behnam Fomeshi

Democratic Poetics: A Comparative Study of the US and Iran

Wilfredo Pascual

Devotion II

Jillian Joyce Ong Tan

Discursive Formations and the Ambivalent Nation in Gina Apostol's "The Revolution According to Raymundo Mata"

Rina Garcia Chua

Dismantling Disaster, Death, and Survival in Ecopoetry

Malcolm Miles

Disobedient Cultures: Art, Politics, and Resurgent Hope

Niyi Akingbe

Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin

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