Article Titles

Communicating Emotions: How Commercial Manga for Women Approaches 3.11

Olga Antononoka

Comradeship, remolding and rectification in Norman Wilwayco's Gerilya

Laurence Marvin S. Castillo

Confession as a Narrative Mode in Gay Indie Films

Gary C. Devilles

Conflicting Counter-Hegemonies?: The Dramaturgy of James Connolly and Sean O' Casey

James Moran

Conflicts and Contests: A History of the Filipino Novel in English

Patricia May B. Jurilla

Conflicts Over Heritage: The Case of Quiapo

Victor S. Venida

Construction and Comprehension of Fictional Dystopia: A Cognitive Study of Anna Burns's Milkman

Roghayeh Farsi, Abbas Ali Hallaji

Consumed by Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics

Jeremy De Chavez

Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia

Gerardus Majella Adhyanggono

Corporeality, Genetic Technology, and Climate Change in Margaret Atwood’s The Year of the Flood

Young-hyun Lee

Corpus Interruptus: An Introduction to the Forum Kritika on Theorizing Corporeality in the Climate Change Era

Simon C. Estok

COVID-19: Kritikal na Pagsusuri ng Diskurso ng Kagawaran ng Kalusugan sa Unang Yugto ng Pandemya sa Pilipinas

Alona Jumaquio-Ardales, Nathaniel Oco

Critical Crossings: Hybridity’s Fissures and Ruptures

Maria Luisa Torres Reyes

Crónica de Filipinas en la Poesía de Zoilo Hilario

Isaac Donoso

Crossing Borders: Philippine Activist Theater and Martial Law

Bonifacio P. Ilagan

Cry for Me, Argentina! Taiwanese Soap Opera Diplomacy in Latin America

Adam Lifshey

Cultural Capital and the Tale of Two Lu Xuns

Yang Ke

Culture as Contradiction in Urban Regeneration: Sanitization, Commodification and Critical Resistance in Liverpool One

Niamh Malone

Culture on Trial: Translating Gremer Chan Reyes' Men at Sea

Hope Sabanpan-Yu

Daisy Bomb

Mila D. Aguilar

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