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Jonathan Chua

Snapshots of a Literary Friendship: Francisco Arcellana and Jose Garcia Villa*

R. K. Shangeetha, Shanthini Pillai

Socio-linguistic Heterogeneity in the Writings of Selected Malaysian Indian Authors Who Write in English

Josh Stenberg

Southern Capital, Stone City, Golden Tombs

Juan Luna

Spanish Girl by Juan Luna

Ivi Avellana Cosio

Specimens: The Early Abstraction by Ivi Avellana-Cosio

Jonathan Arevalo Coo

Sumi Jo: The Divine Diva, Sumi Jo (soprano), Najib Ismail (piano), Antonio Maigue (flute)

Allan Pastrana

Sumi Jo: The Woman behind the Voice from Above

Marc Gaba


Monica Jalandoni Nalupta

Suspicious of the Filipino Social Virtue of Fortitude

Jason K. Dy, S.J.

Tak Satupun / (Not One Less)

Jose Mario C. Francisco, S.J.

Tao/Lipunan, Moral/Imoral: 27 Macario Pineda at Reinhold Niebuhr

Maria Gabriela P. Martin

Tatlong Kuwento ni Lola Basyang, Choreographed by Osias Barroso, Lisa Macuja-Elizalde, and Tony Fabella, Based on stories written by Severino Reyes

Jonathan Arevalo Coo

The “King” and I: Lucrecia Kasilag’s Influence in Piano Literature

Karl Ian Cheng Chua

The 2nd Philippine Kana Art Competition

Jonathan O. Chua

The Ateneo Art Gallery

Francis C. Sollano

The Beauty of Ghosts: Five Voices by Luis H. Francia

Javier Luis Gomez

The Church by Roawie L. Quimba, Teresita M. Francisco, and Amelia M. Sagaral

Nikki B. Carsi Cruz

The Diplomat-Scholar

T. J. Abraham

The Eastern and Western “Scriptures” for Postmodernity: toward a Unified Ethos in Religion, Science, and Philosophy

Brian Desmond

The Epic Theatre as “Dialectic (at-Play)”: Badiou, Brecht and the Dubious Mask of the Storyteller

2 (2011)

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