This editorial introduction to Writer in Exile/Writer in Revolt: Critical Perspectives on Carlos Bulosan (2016) sheds light on the diasporic scope of Bulosan’s literary imagination and the literary scholarship on his diverse body of writing. Writer in Exile/Writer in Revolt gathers for the first time nearly sixty years of literary criticism by scholars in the United States and the Philippines on Bulosan, a pioneering twentieth-century Filipino writer in the United States. The editorial introduction highlights the ways in which Writer in Exile/Writer in Revolt documents the unfolding of Bulosan’s radical literary imagination which straddles the colonial and neocolonial periods of U.S.-Philippines relations (from the pre-Pacific War period to the Cold War period). Six decades of literary criticism generate a fascinating inventory of Bulosan’s invaluable contributions to modern diasporic Filipino literature that, when historicized, problematize the notion of hybridity and trouble the binary opposition between Asian and Asian American literatures. In addition to discussing the significance of Writer in Exile/Writer in Revolt, the editorial introduction features Cabusao’s dialogue piece (featured in the anthology) with distinguished Asian American scholars Marilyn Alquizola and Lane Ryo Hirabayashi on their groundbreaking research on Bulosan’s FBI files which reveals the transnational nature of U.S. political surveillance/repression and the diasporic framing of Filipino resistance that informed Carlos Bulosan’s life and work


Bulosan criticism, Carlos Bulosan, Cold War political repression, Filipino activism, Filipino diaspora, Filipino literary aesthetics

Please login first to access subscription form of article

Read Full text in PDF

Browse By

Kritika Kultura
Department of English
School of Humanities
Ateneo de Manila University

The Philippine Commission on Higher Education (CHED) declares Kritika Kultura as a CHED-recognized journal under the Journal Challenge Category of its Journal Incentive Program.

International Board of Editors

Jan Baetens
Faculty of Arts
Katholieke Universiteit te Leuven (Belgium)

Joel David
Professor of Cultural Studies
Inha University (South Korea)

Michael Denning
Professor of American Studies and English
Department of English
Yale University (US)

Faculty of Cultural Sciences
Universitas Gadjah Mada (Indonesia)

Regenia Gagnier
Professor of English
University of Exeter (UK)

Leela Gandhi
John Hawkes Professor of the Humanities and English
Brown University (US)

Inderpal Grewal
Professor of Women's Gender and Sexuality Studies
Professor of South Asian Studies, Ethnicity, Race and Migration Studies
Yale University (US)

Peter Horn
Professor Emeritus and Honorary Lifetime Fellow
University of Cape Town (South Africa)
Honorary Professor and Research Associate in German Studies
University of the Witwatersrand (South Africa)

Anette Horn
Professor of German Studies
University of the Witwatersrand (South Africa)

David Lloyd
Distinguished Professor of English
University of California, Riverside (US)

Bienvenido Lumbera
National Artist for Literature
Professor Emeritus
University of the Philippines

Rajeev S. Patke
Director of the Division of Humanities
Professor of Humanities
Yale NUS College (Singapore)

Vicente L. Rafael
Giovanni and Amne Costigan Endowed Professor of History
University of Washington (US)

Vaidehi Ramanathan
Department of Linguistics
University of California, Davis (US)

Temario Rivera
Professorial Lecturer
Department of Political Science
University of the Philippines

E. San Juan, Jr.
Philippines Studies Center (US)

Neferti X.M. Tadiar
Professor of Women’s, Gender, & Sexuality Studies
Barnard College (US)
Director of the Center for the Study of Ethnicity and Race
Columbia University (US)

Antony Tatlow
Honorary Professor of Drama
Trinity College Dublin (Ireland)