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Dale Luis Menezes

Vimala Devi's Bhatcars and the Mundcars: Laborers, Landlords, and Culture in Goa

Josh Uyheng


John Bengan


Emeka Aniago, Norbert Oyibo Eze, Stella Okoye-Ugwu, Divine Sheriff Jose

Vultures and Candles as Metaphors of Leadership Failures in Emeka Nwabueze’s A Parliament of Vultures and Uche-Chinemere Nwaozuzu’s The Candles

Oscar Tantoco Serquiña, Jr.

We Have Intimated Too Much of Ourselves to This City

Alan Read

We the Divided: Partitions of Performance in the Ceramic State

Josen Masangkay Diaz

We Were War Surplus, Too: Nick Joaquin and the Impossibilities of Filipino Historical Becoming

Wonho Jang, Jung Eun Song

Webtoon as a New Korean Wave in the Process of Glocalization

Victor Merriman, Sarah Black-Frizell

Weights and Pressures: Precarity And Democracy’s Legislative Subjects

Neobie Gonzalez

What do I call this beating:

Maximino U. Pulan, Jr.

What the Planetary Filipino Should Know: San Juan Versus Almario

Gabrielle Leung

What to make of this flesh:

Charlie Samuya Veric

What, and Where, is Philippine Studies? A Response

Dr Ann Ang

What’s Tropical about Nick Joaquin’s Tropical Gothic? Heat and Corporeality in “The Summer Solstice” and “The Dying Wanton”

Miguel Antonio Lizada

When She Started Acting Queer: A Queer Gothic Reading of Nick Joaquin’s The Woman Who Had Two Navels

Mark Wollaeger

Where and When is Modernism: Editing on a Global Scale

Danica Čerče

Where Is 'East of Eden’? The Politics of Steinbeck’s Literary Reputation in Slovenia

Jan Baetens, Fred Truyen

Which Visual Literacy in the Teaching of Culture?

Ma. Socorro Perez

White Citizenship: A Category of Identification and Route of US Immigrant Constitution

Carlos M. Piocos III

Why Mourning Matters: The Politics of Grief in Southeast Asian Narratives of Women’s Migration

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