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Isabel Alonso-Breto

“Such a Nice Little Place”: Rhizomatic Partnership in Nayomi Munaweera’s Island of a Thousand Mirrors

Setiadi, Sumini

“The More People Come, the Harder Lives Become”: Migration to the Villages around the LNG Tangguh Project, Papua

Tim Prentki

A Dog's Obeyed in Office: Beyond the Boalian Binary

Wenyan Yin

A New Model for Globalization in the Film Industry: Lessons from Sino-US Film Co-productions

Favita Rochelle Dias

Agriculture in Curtorim: Through the Lens of Caste

Luis Cordeiro-Rodrigues

Animal Welfarism in American Law: Animal Farming, Privilege, and Disempowerment

Yina Cao, Xudong Guo

Bodies and Body Politics of China’s Northeastern Rust Belt

Michael Viola, Valerie Francisco, Amanda Solomon Amorao

Carlos Bulosan and a Collective Outline for Critical Filipina and Filipino Studies

Joel David

Chaotic Waters and Well-Tempered Specters: The Philippines as Source of Overseas Labor

Gerardus Majella Adhyanggono

Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia

Rina Garcia Chua

Dismantling Disaster, Death, and Survival in Ecopoetry

Niyi Akingbe

Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin

Niyi Akingbe

Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin

Susanne Foellmer

Feeling Dis/Connected: Interweaving Protest in the Online and Onsite Public Sphere

Delia D. Aguilar, Karin Aguilar-San Juan

Feminism Across Our Generations

Zoltan Kacsuk

From “Game-like Realism” to the “Imagination-oriented Aesthetic”: Reconsidering Bourdieu’s Contribution to Fan Studies in the Light of Japanese Manga and Otaku Theory

E. San Juan Jr.

Gunita, Pagsusumakit, Pagkilala, Katubusan: Isang Pagbasa't Suri sa Sining ng Desaparesidos ni Lualhati Bautista

Louie Jon A. Sánchez

Ilang Eksplorasyon sa Pag-Aaral ng Kulturang Popular sa Filipinas

Louie Jon A. Sánchez

Ilang Eksplorasyon sa Pag-Aaral ng Kulturang Popular sa Filipinas

Faruk

Islands in the Stream: A Spatial Perspective on Pramoedya Ananta Toer’s Reverse Flow

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An open-access semi-annual peer-reviewed international electronic journal of literary, language, and cultural studies of the Department of English of the Ateneo de Manila University, Philippines.

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  • Kritika Kultura Department of English School of Humanities Ateneo de Manila University Loyola Heights 1108 Quezon City, Philippines