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J. Neil Garcia

Translation and the Problem of Realism in Philippine Literature in English

Harry Aveling

Translation and/as Research

Ma. Socorro Q. Perez

Translation Politics in Ilocano- Hawaiian Writing

Klaas Tindemans

Truth, Justice, and Performative Knowledge: Chokri Ben Chikha’s Theatrical “Truth Commission” on (Neo)colonial Injustices

Christian Jil R. Benitez

Tungo sa Dalumat ng Bayan: Isang Metonimiya

Agustin Martin G. Rodriguez

Turning from the Margins: Discoursing Heidegger at the End of Life as We Know It

Harry Aveling

Two Approaches to the Positioning of Translations: A Comparative Study of Itamar Even-Zohar’s Polysystem Studies and Gideon Toury’s "Descriptive Translation Studies and Beyond"

Ekaterina Baklanova

Types of Borrowings in Tagalog/Filipino

Mary Jane Ainslie, Sarah Domingo Lipura, Joanne Lim

Understanding the Potential for a Hallyu “Backlash” in Southeast Asia: A Case Study of Consumers in Thailand, Malaysia and Philippines

Kathrine D. Ojano

Unreading the Novel, or Experiencing Ninotchka Rosca's State of War as Mythopoeia

Charlie Samuya Veric

Vernacular World Making: E. San Juan, Jr. and the Rehearsal for the New International

Dale Luis Menezes

Vimala Devi's Bhatcars and the Mundcars: Laborers, Landlords, and Culture in Goa

Emeka Aniago, Norbert Oyibo Eze, Stella Okoye-Ugwu, Divine Sheriff Jose

Vultures and Candles as Metaphors of Leadership Failures in Emeka Nwabueze’s A Parliament of Vultures and Uche-Chinemere Nwaozuzu’s The Candles

Alan Read

We the Divided: Partitions of Performance in the Ceramic State

Josen Masangkay Diaz

We Were War Surplus, Too: Nick Joaquin and the Impossibilities of Filipino Historical Becoming

Wonho Jang, Jung Eun Song

Webtoon as a New Korean Wave in the Process of Glocalization

Victor Merriman, Sarah Black-Frizell

Weights and Pressures: Precarity And Democracy’s Legislative Subjects

Maximino U. Pulan, Jr.

What the Planetary Filipino Should Know: San Juan Versus Almario

Dr Ann Ang

What’s Tropical about Nick Joaquin’s Tropical Gothic? Heat and Corporeality in “The Summer Solstice” and “The Dying Wanton”

Miguel Antonio Lizada

When She Started Acting Queer: A Queer Gothic Reading of Nick Joaquin’s The Woman Who Had Two Navels

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