Article Titles

Vimala Devi's Bhatcars and the Mundcars: Laborers, Landlords, and Culture in Goa

Dale Luis Menezes


Josh Uyheng


John Bengan

Vultures and Candles as Metaphors of Leadership Failures in Emeka Nwabueze’s A Parliament of Vultures and Uche-Chinemere Nwaozuzu’s The Candles

Emeka Aniago, Norbert Oyibo Eze, Stella Okoye-Ugwu, Divine Sheriff Jose

We Have Intimated Too Much of Ourselves to This City

Oscar Tantoco Serquiña, Jr.

We the Divided: Partitions of Performance in the Ceramic State

Alan Read

We Were War Surplus, Too: Nick Joaquin and the Impossibilities of Filipino Historical Becoming

Josen Masangkay Diaz

Webtoon as a New Korean Wave in the Process of Glocalization

Wonho Jang, Jung Eun Song

Weights and Pressures: Precarity And Democracy’s Legislative Subjects

Victor Merriman, Sarah Black-Frizell

What do I call this beating:

Neobie Gonzalez

What the Planetary Filipino Should Know: San Juan Versus Almario

Maximino U. Pulan, Jr.

What to make of this flesh:

Gabrielle Leung

What, and Where, is Philippine Studies? A Response

Charlie Samuya Veric

What’s Tropical about Nick Joaquin’s Tropical Gothic? Heat and Corporeality in “The Summer Solstice” and “The Dying Wanton”

Dr Ann Ang

When She Started Acting Queer: A Queer Gothic Reading of Nick Joaquin’s The Woman Who Had Two Navels

Miguel Antonio Lizada

Where and When is Modernism: Editing on a Global Scale

Mark Wollaeger

Where Is 'East of Eden’? The Politics of Steinbeck’s Literary Reputation in Slovenia

Danica Čerče

Which Visual Literacy in the Teaching of Culture?

Jan Baetens, Fred Truyen

White Citizenship: A Category of Identification and Route of US Immigrant Constitution

Ma. Socorro Perez

Why Mourning Matters: The Politics of Grief in Southeast Asian Narratives of Women’s Migration

Carlos M. Piocos III

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