Pinay as Subaltern in Korean Cinema
Yu Taeyun: University of the Philippines Film Institute Hallym University
DOI: https://dx.doi.org/Abstract
The paper presents an analysis of Korean film texts Yangil Choi‘s All Under the Moon (1993) and Han Lee‘s Wandeugi (a.k.a. Punch, 2011). The discussion of the paper focused on the interplay among nationalism, post/colonialism, and globalization in these films.
