This essay situates the novels of Lazaro Francisco against the concrete specificities of our history as a nation, from the American colonial regime to the postwar period. The study shows how deeply Francisco understood the concept of nationhood even as he constructed experiences of socio-economic bondage and a disastrous war that resonated with his Liwayway readers.
Department of Interdisciplinary Studies, 2nd Floor Horacio de la Costa Hall, School of Humanities, Ateneo de Manila University, Katipunan Avenue, Loyola Heights, Quezon City, Philippines 1108