No. 3 Cover Image

No. 3

Volume: 43 (1995)

Philippine Studies: Historical and Ethnographic Viewpoints is an internationally refereed journal that publishes scholarly articles and other materials on the history of the Philippines and its peoples, both in the homeland and overseas.

It believes the past is illuminated by historians as well as scholars from other disciplines; at the same time, it prefers ethnographic approaches to the history of the present. It welcomes works that are theoretically informed but not encumbered by jargon. It promotes a comparative and transnational sensibility, and seeks to engage scholars who may not be specialists on the Philippines. Founded in 1953 as Philippine Studies, the journal is published quarterly by the Ateneo de Manila University.

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Vol. 43, No. 3 (1995)


Editor's Introduction

Introduction: The Pinoy Writer and the Asia-Pacific Century

Emmanuel Torres

285–294


Stories

Karatig-Silid

Mayette Bayuga

295–309

Pakiramdaman

Ino Manalo

310–322

Now that I am Dead

Reine Arcache Melvin

323–341

The Art of Understatement

Cristina Pantoja-Hidalgo

342–353

Happy

Linda Ty-Casper

354–358

Bad Thing/ Lenox Hill

Marianne Villanueva

359–378

Gunshot (Excerpt from “Sun on Ice,” a novel in progress)

Luis Cabalquinto

379–382

An Embarrassment of Riches (Excerpt from a novel in progress)

Charlson Ong

383–418


Poems

Aso

Danilo Abacahin

453–454

Going to America/ An Imaginary Letter to My Twin Sons

Gémino H. Abad

455–459

Burol sa San Roque/ Si Taft sa Kalabaw/ Tubig-Alat sa Ating mga Mata/ Saltwater in Our Eyes/ Litel Mis Pilipings

Jim Pascual Agustin

460–464

Two Voices

Merlinda Bobis

465–467

Letter for All Souls’ Day/ San Francisco Blues/ Cargoes/ At the East Indies Organics Store/ Providence

Maria Luisa A. Cariño

468–476

Heron-Woman/ Ichigo Ichie/ The Gift/ Origami/ Sagada Stills in Floating World/ Cancer Ward/ Tension Luminosa/ Biometrics

Marjorie M. Evasco

477–482

Magdamag sa Wayang/ Sa Yogya alas Kuwatro ng Umaga/ Para sa Dayuhan sa Bangkok: Paano Kausapin ang Puta

José Mario C. Francisco, S.J.

483–484

The Conversion

J. Neil C. Garcia

484–486

From the Pedicab a Sea/ The Leavetaking/ At the Coming World/ Paper Boat

Eugene Gloria

487–490

Wind)ow to the Wind—

Sid Gomez Hildawa

491

Almusal/ Kay Edjop/ Paghahanda: “Exposure Trip” sa Smokey Mountain/ Leftover/ Afternoon Wind

Neal Imperial

491–494

Short Time/ Enjambment/ November the Second/ The Death of a Revolutionary Friend

Jaime An Lim

495–498

Alphabet Soup/ Amok/ Raising the Dead/The Beginning of Things

Fatima Lim-Wilson

499–502

Coming Home/Woman of Many Voices/ Kay Gabriela Silang/Pulotgata

Danton Remoto

503–505

Milkstone/ Mountain Afternoon

DM. Reyes

506–508

Ang Magsasampagita/ Larawan sa Alapaap/ Kay Tu Fu na Makauunawa sa Hindi ko Babanggitin sa mga Taludtod na Ito

Benilda Santos

509–511

Pahiwatig ng Ulan/ A Hint of Rain/ 2 Baryasyon sa Tema ng Paglaho/ Eclipse/ Lovingly yours/ Pulot at Kakanggata/ Orasyon 3 (siyamsiyam sa pitupito)/ Gulong ng Palad/ Misteryo sa Hapis/ Sey!/ Tala ng May-akda: Balik-Sariling Wika....

R. L. Santos

512—530

Man Opens Woman’s Diary in Her Absence/ Red Lips: A Villanelle on Wife-Beating/ The Garden of Earthly Delights/ Suminagashi (The Japanese Art of Paper Marbling)/ The Sadness of the Sea

Ramon C. Sunico

531–536

Oyster Country/ The Wedding of Crisostomo Ibarra

Constantino Tejero

537–538

Pictures of the Floating World/ Liham Mula sa Pasong Tirad

Ruel S. De Vera

538–540


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