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Olga Antononoka

Communicating Emotions: How Commercial Manga for Women Approaches 3.11

Gary C. Devilles

Confession as a Narrative Mode in Gay Indie Films

James Moran

Conflicting Counter-Hegemonies?: The Dramaturgy of James Connolly and Sean O' Casey

Patricia May B. Jurilla

Conflicts and Contests: A History of the Filipino Novel in English

Victor S. Venida

Conflicts Over Heritage: The Case of Quiapo

Roghayeh Farsi, Abbas Ali Hallaji

Construction and Comprehension of Fictional Dystopia: A Cognitive Study of Anna Burns's Milkman

Jeremy De Chavez

Consumed by Affects: Kwentong Jollibee [Jollibee Stories], Happy Objects, and the Formation of Intimate Publics

Gerardus Majella Adhyanggono

Contested Javaneseness in Sociocultural Documentaries of the Post-New Order Indonesia

Young-hyun Lee

Corporeality, Genetic Technology, and Climate Change in Margaret Atwood’s The Year of the Flood

Simon C. Estok

Corpus Interruptus: An Introduction to the Forum Kritika on Theorizing Corporeality in the Climate Change Era

Maria Luisa Torres Reyes

Critical Crossings: Hybridity’s Fissures and Ruptures

Isaac Donoso

Crónica de Filipinas en la Poesía de Zoilo Hilario

Bonifacio P. Ilagan

Crossing Borders: Philippine Activist Theater and Martial Law

Yang Ke

Cultural Capital and the Tale of Two Lu Xuns

Niamh Malone

Culture as Contradiction in Urban Regeneration: Sanitization, Commodification and Critical Resistance in Liverpool One

Hope Sabanpan-Yu

Culture on Trial: Translating Gremer Chan Reyes' Men at Sea

Mila D. Aguilar

Daisy Bomb

Theodore S. Gonzalves

Dancing Into Oblivion: The Pilipino Cultural Night and the Narration of Contemporary Filipina/o America

Martin Villanueva

Dao

Heather Acott

Dark Humor: Satire, the Baroque, and the Carnivalesque in Patricia Schonstein’s Banquet at Brabazan and Ingrid Winterbach’s The Elusive Moth


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