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Niyi Akingbe

Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin

Niyi Akingbe

Divided We Stand: Bewailing Alien-nation in Esiaba Irobi’s Why I Don’t Like Philip Larkin

Nissim Otmazgin, Irina Lyan

Fan Entrepreneurship: Fandom, Agency, and the Marketing of Hallyu in Israel

Zoltan Kacsuk

From “Game-like Realism” to the “Imagination-oriented Aesthetic”: Reconsidering Bourdieu’s Contribution to Fan Studies in the Light of Japanese Manga and Otaku Theory

Patrick Campos

Ghostly Allegories: Haunting as Constitution of Philippine (Trans) National (Cinema) History

Mark John Sanchez

Human Rights and the Task Force Detainees of the Philippines: Religious Opposition to the Marcos Dictatorship, 1972-1986

Arbeen Acuña

Ilustraxon: Semyotika sa Pahina at sa Piraso ng Komix

Jinhyoung Lee

Im Hwa, Hybridity, and the Anti-Colonial Politics of Modern Korean Literature

Faruk

Islands in the Stream: A Spatial Perspective on Pramoedya Ananta Toer’s Reverse Flow

E. San Juan, Jr.

Jose Garcia Villa: Vicissitudes of Neocolonial Art-Fetishism and the “Beautiful Soul” of the Filipino Exile

Albertus Bagus Laksana

Love of Religion, Love of Nation: Catholic Mission and the Idea of Indonesian Nationalism

Oscar Tantoco Serquiña, Jr.

Melodrama of Migration: Suffering, Performance, and Stardom in Ricardo Lee’s DH: Domestic Helper

Shanthini Pillai

Memory and the Diasporic Creative Imagination: Preeta Samarasan’s Evening is the Whole Day

Hannah M. Y. Ho

Memory, Haunting, and Duality: Malaysian Amnesia within the Uncanny Home in Chuah Guat Eng’s Days of Change

Michael D. Pante, Leo Angelo Nery

Migration, Imagination, and Transformation: Revisiting E. San Juan’s Carlos Bulosan and the Imagination of the Class Struggle

Laurence Marvin S. Castillo

Monsters in the Pacific: The Philippines in the Hollywood Geopolitical Imaginary

Gary Devilles, Jocelyn Martin

Nick Joaquin Now: Texts, Contexts, and Approaches

Manuel D. Pambid

Paano Nga Ba ang PETA Play (O Ano Nga Ba ang Isang Play na Matatawag na Petang-Peta)

Cynthia Tolentino

Philippine Studies and the End of the American Century

Taeyun Yu

Reincarnation of the Pinay Subaltern in Foreign Cinema

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An open-access semi-annual peer-reviewed international electronic journal of literary, language, and cultural studies of the Department of English of the Ateneo de Manila University, Philippines.

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